Posted by Blackmagic Design Davinci Resolve Studio DAVINCI Resolve was originally developed for Hollywood’s Elite Colorists and was used for more feature films and television programs than anything else because they can create pictures that are simply impossible with other tools. Davinci is also the fastest growing and most advanced processing software in the world! With DAVINCI Resolve 14 you will now get incredible new Fairlight -udio -Tools. You can download a plugin bundle of sound boosters
It is like getting 3 high -end applications in one! All it needs is a single click to switch between processing, color correction, audio mastering and delivery! The best thing is when you work together in a team, you can all work on the same project at the same time! Davinci Resolve 14 is a revolution in post -production! Download it for free and try it today!
What’s new!
Incredible speed, Professional Fairlight Audio, revolutionary cooperation and more!
Davinci Resolve 14 has. The new playback engine increases the reaction. You will also receive a completely new page with the complete tools for the production of Fairlight Audio Post, with which you can record, mix, mix, sweeten and control with a full 3D audio room and up to 1000 channels.
Colorists find astonishing new resolution -FX, which includes the automatic face recognition and the persecution of skin tones, brightening of the eyes, change in the lip color and more! In addition, Davinci Resolve 14 offers revolutionary new tools for working with several users such as bin Locking, Chat and Timeline melting, with which editors, colors and sound editors can work on the same project at the same time! All of these new functions make Davinci dissolve the most advanced post -production software in the world!
Professional processing
Davinci Resolve includes practically every conceivable processing and trim tool that makes it perfect for both creative and online processing! The new High Performance Revoting Motor, which is up to 10 -faster.264 and raw.
Color correction
Davinci Resolve was used in more feature films and television programs than any other rating system! You will receive the most powerful primary and secondary correction tools of the industry, the extended curves editor, persecution and stabilization, noise reduction and grain tools, solution FX and more.
Fairlight audio
New professional tools for the production of audio posts! DAVINCI Resolve now contains fully presented Fairlight Audio in the same software that you use for processing and color correction! You will get high -end -S mix for up to 1.000 channels in real time and support for massive audio consoles for Fairlight. It is a real end -to end. You can even mix and master several formats, including 3D audio formats such as 5.1, 7.1 and even 22.2!
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Media and delivery
Davinci Resolve 14 makes import, synchronize and organize footage quickly! Independently of! You can go to work quickly and issue files quickly so that you will never miss a deadline!
Multi -user cooperation
Davinci Resolve 14 defines the workflows completely new after production! Assistant editors can prepare film material, while the editors cut the picture, rate colors and mix and end sound editors audio, all in the same project at the same time in the same project! You no longer have to waste time with it and you no longer have to wait for locked editing before you start the color and audio work! That means!
Davinci Resolve Studio
The free version of Davinci Resolve has. DAVINCI Resolve Studio supports 4K and higher as well as the image rates of up to 120 fps. It also contains dozens of additional image processing functions and filters that are not in the free version. This includes film grain, temporal and spatial noise reduction, amazing new facial improvement instruments, lens flare, correction of the lens distortion, optical quality weakness and fog fulf!
Legendary Davinci quality
DAVINCI Resolve from Emmy ™ Award Award Image Processing Technology Features Deep 32-Bit Float Processing in combination with a unique, patented YRGB color science that processes the luminance regardless of color. In this way you can adapt the luminance of the video without the color of your highlights, midsized or shadows! The massive internal color space is perfect for the latest HDR and wide color game duration and enables you to generate looks that are simply impossible to create on other systems!
Hardware control boards
If you have a customer who looks over your shoulder, you have to work quickly. DAVINCI Resolve Control Panels are designed in such a way that they offer liquid and practical control over several parameters at the same time so that they can look impossible with a standard mouse! All controls are logically placed near their natural hand positions and consist of materials of the highest quality. You will receive smooth, high -resolution weighted trackballs as well as precision -managed buttons and dials that have the perfect amount of resistance so that you can adapt each setting precisely. With DAVINCI Resolve Control Panels you can instinctively touch any part of the picture!
Fairlight Professional Consoles
Fairlight Mixing consoles offer high -quality tactile controls for almost every parameter and every function in the software. Using unique user interfaces and quickly to use buttons and controls enable the quick assignment of the console keys to a configuration that is optimized for the respective task so that you can work faster with Fairlight Audio than any other tool in the world! Desktop and free -standing consoles are available in various configurations to meet the requirements of your facility.
What is new in Davinci Resolve 14.1.1:
• A problem with the detection of Blackmagic -Desktop -Video -hardware with older driver versions
• When setting the monitoring in PSF formats when using desktop video drivers, which are new as V10, a problem was fixed.9.3
• fixed a problem with the recognition of License Dongles on MacBook Pro with Touch Bar on High Sierra
• A crash when changing audio plugins and reloading the project without saving
• When opening a project with title presets in the media pool, a crash treated
• A crash during playback when the processing of video field recommendors has been switched on
• A crash in the connection to an incompatible database and switching projects
• A crash if the switching current clip is loaded with the handles and a memory when live saves is switched on
• A crash when deleting preferred transitional settings
• Save a crash in the cancellation of a project and navigate to another resolution database
• A problem was addressed in which the disabled of a composite node would not update the viewer immediately
• dealt with a problem in which the distribution of certain linked audio video clips would not correctly link the shared components
• addressed a problem in which the refinement of resolvefx enemy of the work would stop working when a clip was moved into a composed clip
• A problem addressed in which video scopes on the editing page sometimes display an incorrect display
• A problem was addressed in which the dissolution of the dissolution sometimes leads to incorrect shutdown under Linux
• A problem was addressed in which the horizontal scrolling in the Timeline dialog box sometimes does not work as expected
• A problem was addressed on the project server where clicking on activating the release may not work on some machines
• A problem was dealt with in which the answer to the answering of many databases would take a long time
• A problem in which Resolve Medien would show offline frames
• A problem was addressed in which the decoding of some red clips with CUDA in color management would show a black frame
• A problem was addressed in which Resolve would sometimes indicate the welcome dialogue about successive runs
• A problem in which copying audioclip keyframes does not properly apply it to the target clip
• A problem in which the rendering of DNXHD 36 would cause a slight shift in the red and blue channels
• A potential crash when opening swimmers media Pool window and circuit pages
• A problem was dealt with in which the 3D qualification feature is not used correctly for group-pre-clip versions
• A problem was addressed in which the change in the master bus configuration with existing audio -fx would lead to a loss of the audio output for the bus
• addressed a problem
• A problem in which pulling a clip from the media pool to the Fairlight Timeline sometimes shows an additional track
• General performance and stability improvements
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